Music by DANIEL DORFF |
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| Serenade to Eve, After Rodin for Flute and Guitar | |
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Duration: c. 9' PROGRAM NOTES SERENADE TO EVE, AFTER RODIN was commissioned by the duo of Eileen Grycky and Christiaan Taggart; the idea came from a multimedia performance fresh in mind when they approached me.
In
October 1998, dancer/choreographer Anne-Marie Mulgrew invited me to perform as
an improvising solo clarinetist to accompany her and 3 other performers from her
dance company at Philadelphia's Rodin Museum. We were invited to perform in the
outdoor garden, but luckily rain forced us inside, in front of Rodin's imposing
Adam and Eve sculptures. Anne-Marie's choreography involved dancers taking
postures and characters of Rodin's works, and the last-minute change into the
gallery added extra drama to our performance, now in front of the sculptures
themselves.
CORRECTIONS TO THE FIRST PRINTING "Serenade to Eve, After Rodin, beginning passionately lyrical and moving to an astonishing virtuosic conclusion is yet another great addition to the contemporary repertoire for flute and guitar." Allan Pulker, The Whole Note (review of the Cline-Cuestas CD) "Daniel Dorff's remarkable Serenade to Eve, After Rodin is nearly a conversation with Rodin’s statue. Its music alters in response to Eve’s changing moods. The work seems to say that being expelled from paradise is not the worst thing that can happen in life." Dave Saemann, Fanfare Magazine (review of the Cline-Cuestas CD) "Daniel Dorff's Serenade to Eve, After Rodin has its origin in an improvisational performance in Philadelphia's Rodin Museum in which the composer took part as a clarinetist. Rodin's sculptures of Adam and Eve banished from Paradise display "grief, terror and shame." Dorff's short piece was thus written, as it were, to cheer Eve up. It is a really charming miniature." Music Web (UK), (Hubert Culot), November 2003 |
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