SEVEN DAYDREAMS falls somewhere between my previous In A Deep Funk and Dolphy's improvisations on God Bless the Child, both in concept and performance style. I wrote it for myself, as a way to keep me practicing.

Daydreams 1-4 and 6 may be most effective played like transcriptions of an improvisation, with whatever flexibility you feel to make it your own spotlight. Daydreams 5 and 7 may benefit from a more literal interpretation to make the most of the ostinatos and abrupt contrasts built into those sections.